Alexandre Vauthier 2017 Birgit Fashion Spot
Type | Private |
---|---|
Industry | Packaged goods[ane] |
Founded | 1910 (1910) [two] |
Founder | Coco Chanel |
Headquarters |
|
Number of locations | 310 |
Area served | Worldwide |
Cardinal people |
|
Products |
|
Revenue | €10,93 billion (2019)[iii] |
Net income | €2,xiv billion (2019)[iii] |
Owners |
|
Number of employees | 20,000 (2018) |
Website | chanel |
Chanel (, French pronunciation: [ʃanɛl]) is a French luxury way house that was founded by couturière Coco Chanel in 1910. It focuses on women'south set up-to-clothing apparel, luxury goods and accessories.[4] The company is currently endemic by Alain Wertheimer and Gérard Wertheimer, grandsons of Pierre Wertheimer, who was an early business partner of Coco Chanel.
In her youth, Gabrielle Chanel gained the nickname "Coco" from her time as a chanteuse. Every bit a fashion designer, Coco Chanel catered to women's gustation for elegance in dress, with blouses, suits, trousers, dresses, and jewellery (gemstone and bijouterie) of simple design, that replaced the opulent, over-designed, and constrictive clothes and accessories of 19th-century fashion. The Chanel product brands accept been personified by male and female style models, entertainers, and actresses, including Margot Robbie, Lily-Rose Depp, Nicole Kidman, Keira Knightley, Kristen Stewart, G-Dragon, Pharrell Williams, Cara Delevingne, Nana Komatsu, Jennie Kim, and Marilyn Monroe.[five] [6]
Chanel is well known for the perfume Chanel No. 5 and the Chanel Suit. Chanel's use of jersey material produced garments that were comfortable and affordable.[7] Chanel revolutionized fashion – both high fashion (haute couture) and everyday fashion (prêt-à-porter) – by replacing structured-silhouettes, based upon the corset and the bodice, with garments that were functional and at the same fourth dimension flattering to the adult female'due south effigy.
In the 1920s, the uncomplicated-line designs of Chanel couture made popular the 'apartment-chested' fashions that were the contrary of the hourglass figure achieved past the fashions of the late 19th century – the Belle Époque of France (c. 1890–1914), and the British Edwardian era (c. 1901–1919). Chanel used colors traditionally associated with masculinity in Europe, such as grey and navy blue, to denote feminine disrespect of character.[8] [nine] The wearing apparel of the House of Chanel featured quilted textile and leather trimmings; the quilted construction reinforces the material, the design, and the finish, producing a garment that maintains its form and function while being worn. An example of such haute couture techniques is the woolen Chanel suit – a knee-length skirt and a cardigan-way jacket, trimmed and decorated with black embroidery and gold-coloured buttons. The complementary accessories were 2-tone pump shoes and jewellery, unremarkably a necklace of pearls, and a leather handbag.[4] [eight] [10]
History [edit]
The Coco Chanel [edit]
- Establishment and recognition – 1909–1920s
The House of Chanel (Chanel South.A.) originated in 1909 when Gabrielle Chanel opened a millinery store at 160 Boulevard Malesherbes, the ground floor of the Parisian flat of the socialite and fabric businessman Étienne Balsan, of whom she was the mistress.[4] Because the Balsan apartment as well was a salon for the French hunting and sporting élite, Chanel had the opportunity to see their demi-mondaine mistresses who, as such, were women of mode, upon whom the rich men displayed their wealth – as ornate clothes, jewelry, and hats.
Coco Chanel thus could sell to them the hats she designed and made; she thus earned a living independent of Balsan. In the form of those salons, Coco Chanel befriended Arthur "Boy" Capel, an English socialite and polo thespian friend of Étienne Balsan; per the upper grade social custom. Chanel likewise became mistress to Boy Capel. Despite that social circumstance, Boy Capel perceived the baron innate to Coco Chanel. And in 1910, Boy Capel financed her first independent millinery store, Chanel Modes, at 21 rue Cambon in Paris. Because that locale already housed a dress shop, the business-lease express Chanel to selling only millinery products, not couture. 2 years subsequently 1913, the Deauville and Biarritz couture shops of Coco Chanel offered for sale prêt-à-porter sports dress for women, the applied designs of which immune the wearer to play sports.[iv] [8]
The First World War (1914–xviii) afflicted European fashion through scarcity of materials, and the mobilisation of women. By that fourth dimension, Chanel had opened a large dress shop at 31 Rue Cambon, well-nigh the Hôtel Ritz, in Paris. Among the clothes for sale were flannel blazers, direct-line skirts of linen, crewman blouses, long sweaters fabricated of bailiwick of jersey fabric, and skirt-and-jacket suits.
Coco Chanel used jersey cloth because of its physical properties as a garment, such as its drapery – how information technology falls upon and falls from the body of the adult female – and how well it adapted to a simple garment-blueprint. Sartorially, some of Chanel's designs derived from the armed forces uniforms made prevalent past the War; and, by 1915, the designs and the clothes produced by the House of Chanel were known throughout France.[iv]
In 1915 and in 1917, Harper's Bazaar mag reported that the garments of La Maison Chanel were "on the listing of every buyer" for the habiliment factories of Europe.[4] The Chanel dress shop at 31 rue Cambon presented day-habiliment dress-and-coat ensembles of simple pattern, and black evening dresses trimmed with lace; and tulle-fabric dresses busy with jet, a minor gemstone cloth.[4]
Afterwards the First World War, La Maison Chanel, following the mode trends of the 1920s, produced beaded dresses, made particularly popular by the Flapper woman.[four] Past 1920, Chanel had designed and presented a woman's suit of clothes – composed either of two garments or of three garments – which allowed a adult female to have a modern, feminine appearance, whilst being comfortable and applied to maintain; advocated as the "new uniform for afternoon and evening", information technology became known as the Chanel Conform.
In 1921, to complement the suit of clothes, Coco Chanel commissioned the perfumer Ernest Beaux to create a perfume for La Maison Chanel. His perfumes included the perfume No.five, named after the number of the sample Chanel liked best. Originally, a bottle of No. 5 de Chanel was a gift to clients of Chanel. The popularity of the perfume prompted La Maison Chanel to offering it for retail auction in 1922.
In 1923, to explain the success of her clothes, Coco Chanel told Harper's Bazaar mag that design "simplicity is the keynote of all true elegance."[4] [11]
- Business partners – late 1920s
The success of the No. v encouraged Coco Chanel to expand perfume sales beyond French republic and Europe and to develop other perfumes – for which she required investment uppercase, business concern acumen, and access to the Northward American market. To that cease, the businessman Théophile Bader (founder of Galeries Lafayette) introduced the venture backer Pierre Wertheimer to Coco Chanel. Their business deal established the Parfums Chanel company, a parfumerie of which Wertheimer endemic 70 per cent, Bader owned 20 per cent, and Chanel owned 10 per cent; commercial success of the joint enterprise was assured past the Chanel name, and past the cachet of la "Maison Chanel", which remained the sole business province of Coco Chanel.[x]
Nonetheless, despite the success of the Chanel couture and parfumerie, the personal relations between Coco and her capitalist partner deteriorated, considering, Coco said that Pierre Wertheimer was exploiting her talents as a manner designer and as a businesswoman.[ten] Wertheimer reminded Chanel that he had made her a very rich woman; and that his venture capital had funded Chanel's productive expansion of the parfumerie which created the wealth they enjoyed, all from the success of No. 5 de Chanel.
Nevertheless, unsatisfied, the businesswoman Gabrielle Chanel hired the attorney René de Chambrun to renegotiate the 10-per-cent partnership she entered, in 1924, with the Parfums Chanel visitor; the lawyer-to-lawyer negotiations failed, and the partnership-percentages remained as established in the original business bargain amid Wertheimer, Badel, and Chanel.[10]
- Elegance and the war – 1930s–1940s
From the gamine fashions of the 1920s, Coco Chanel progressed to womanly fashions in the 1930s: evening-apparel designs were characterised by an elongated feminine style, and summer dresses featured contrasts such equally silver eyelets, and shoulder straps busy with rhinestones – drawing from Renaissance-time manner stylings. In 1932, Chanel presented an exhibition of jewelry dedicated to the diamond as a fashion accessory; it featured the Comet and Fountain necklaces of diamonds, which were of such original design, that Chanel Southward.A. re-presented them in 1993. Moreover, by 1937, the Business firm of Chanel had expanded the range of its apparel to more women and presented prêt-à-porter clothes designed and cut for the petite adult female.[4] Among fashion designers, just the clothes created past Elsa Schiaparelli could compete with the clothes of Chanel.[4]
During the Second World War (1939–45), Coco Chanel closed store at Maison Chanel – leaving only jewellery and parfumerie for sale – and moved to the Hôtel Ritz Paris, where she lived with her boyfriend, Hans Günther von Dincklage, a Nazi intelligence officer.[4] [8] [10] Upon conquering French republic in June 1940, the Nazis established a Parisian occupation-headquarters in the Hôtel Meurice, on the rue de la Rivoli, reverse the Louvre Museum, and just around the corner from the stylish Maison Chanel S.A., at 31 rue Cambon.[4]
Meanwhile, because of the Nazi occupation's official anti-Semitism, Pierre Wertheimer and family, had fled France to the U.Due south., in mid-1940. Afterwards, in 1941, Coco Chanel attempted to assume business concern control of Parfums Chanel just was thwarted by an administrative delegation that disallowed her sole disposition of the parfumerie. Having foreseen the Nazi occupation policy of the seizure-and-expropriation to Germany of Jewish business and avails in France, Pierre Wertheimer, the majority partner, had before, in May 1940, designated Felix Amiot, a Christian French industrialist, as the "Aryan" proxy whose legal control of the Parfums Chanel business proved politically acceptable to the Nazis, who then allowed the perfume company to go along as an operating business.[10] [12]
Occupied France abounded with rumours that Coco Chanel was a Nazi collaborator; her clandestine identity was hole-and-corner agent 7124 of the Abwehr, code-named "Westminster".[13] Equally such, by order of General Walter Schellenberg, of the Sicherheitsdienst, Chanel was despatched to London on a mission to communicate to British Prime Minister Winston Churchill the particulars of a "separate peace" programme proposed by Reichsführer-SS Heinrich Himmler, who sought to avoid surrendering to the Red Army of the Soviet Russians.
At State of war's end, upon the Centrolineal liberation of French republic, Chanel was arrested for having collaborated with the Nazis. In September 1944, the Free French Purge Committee, the épuration, summoned Chanel for interrogation about her collaborationism, yet, without documentary show of or witnesses to her collaboration with the Nazis, and considering of Churchill's secret intervention in her behalf, the épuration released Coco Chanel from arrest as a traitor to France.[10] [xiv] Despite having been freed by the political grace of Churchill, the strength of the rumours of Chanel's Nazi collaboration had fabricated information technology not possible for her to remain in France; so Coco Chanel and her German lover, Hans Günther von Dincklage, went into an eight-year exile to Switzerland.[iv] [ten]
In the post–war menstruation, during Coco Chanel's Swiss exile from France, Pierre Wertheimer returned to Paris and regained formal authoritative command of his family unit's business holdings – including control of Parfums Chanel, the parfumerie established with his venture capital, and successful because of the Chanel name.[10]
In Switzerland, the news revived Coco Chanel's resentment at having been exploited by her business partner, for only ten per cent of the coin. And so she established a rival Swiss parfumerie to create, produce, and sell her "Chanel perfumes". In turn, Wertheimer, the majority capital stock possessor of Parfums Chanel, saw his business concern interests threatened, and his commercial rights infringed because he did not possess legally exclusive rights to the Chanel name. Nonetheless, Wertheimer avoided a trademark infringement lawsuit against Coco Chanel, lest information technology damage the commercial reputation and the creative credibility of his Chanel-brand parfumerie.
Wisely, Pierre Wertheimer settled his business- and commercial-rights quarrel with Chanel, and, in May 1947, they renegotiated the 1924 contract that had established Parfums Chanel – she was paid $400,000 in cash (wartime profits from the sales of perfume No. 5 de Chanel); assigned a 2.0 per cent running royalty from the sales of No. 5 parfumerie; assigned limited commercial rights to sell her "Chanel perfumes" in Switzerland; and granted a perpetual monthly stipend that paid all of her expenses. In commutation, Gabrielle Chanel closed her Swiss parfumerie enterprise, and sold to Parfums Chanel the full rights to the proper name "Coco Chanel".[10] [15]
- Resurgence – 1950s–1970s
In 1953, upon returning to France from Switzerland, Coco Chanel found the fashion business enamoured of the "New Look" (1947), by Christian Dior; the signature shape featured a below-mid-calf-length, full-skirt, a narrow waist, and a big bust (stylistically absent since 1912). As a post–War way that used some 20 yards of fabric, the House of Dior couture renounced wartime rationing of fabric for apparel.[ten]
In 1947 – subsequently the six-yr austerities of the Second World War (1939–45) – the New Expect was welcomed by the fashion business of Western Europe because sales of the pretty clothes would revive concern and the economy.[iv]
To regain the concern primacy of the House of Chanel, in the style fields of haute couture, prêt-à-porter, costume jewelry, and parfumerie, would be expensive; so Chanel approached Pierre Wertheimer for concern advice and capital.[10] Having decided to do business with Coco Chanel, Wertheimer'southward negotiations to fund the resurgence of the House of Chanel, granted him commercial rights to all Chanel-brand products.[10]
In 1953, Chanel collaborated with jeweler Robert Goossens; he was to blueprint jewelry (bijouterie and gemstone) to complement the fashions of the House of Chanel; notably, long-strand necklaces of black pearls and of white pearls, which high contrast softened the severe design of the knitted-wool Chanel Adapt (brim and cardigan jacket).[eight]
The House of Chanel also presented leather handbags with either gold-colour bondage or metal-and-leather bondage, which allowed carrying the purse from the shoulder or in mitt. The quilted-leather purse was presented to the public in February 1955. In-business firm, the numeric version of the launching date "2.55" for that line of handbags became the internal "appellation" for that model of the quilted-leather bag.[four]
Throughout the 1950s, the sense of style of Chanel continued undeterred; the firm's initial venture into masculine parfumerie, Cascade Monsieur was a successful eau de toilette for men. Chanel and her spring collection received the Style Oscar at the 1957 Fashion Awards in Dallas. Pierre Wertheimer bought Bader's xx per cent share of the Parfums Chanel, which increased the Wertheimer percent to ninety per cent.[10]
Later, in 1965, Pierre's son, Jacques Wertheimer, assumed his begetter's management of the parfumerie.[ten] Almost the past business relationship, between Pierre Wertheimer and Coco Chanel, the Chanel chaser, Chambrun said that it had been "one based on a businessman'southward passion, despite her misplaced feelings of exploitation . . . [thus] when Pierre returned to Paris, full of pride and excitement [after one of his horses won the 1956 English language Derby]. He rushed to Coco, expecting congratulations and praise. Only she refused to osculation him. She resented him, you see, all her life."[x]
Coco Chanel died on ten January 1971, at the age of 87.[iv] She was even so designing at the time of her death.[4] For instance, in the (1966–1969) period, she designed the air hostess uniforms for Olympic Airways, the designer who followed her was Pierre Cardin. In that time, Olympic Airways was a luxury airline, endemic past the send magnate Aristotle Onassis. Afterwards her death, the leadership of the company was handed downwards to Yvonne Dudel, Jean Cazaubon and Philippe Guibourgé.[iv] Then far, the bags designed by Chanel are still very pop in the vintage market.[16]
Subsequently a period of time, Jacques Wertheimer bought the controlling involvement of the House of Chanel.[4] [10] Critics stated that during his leadership, he never paid much attention to the company, equally he was more interested in horse convenance.[10] In 1974, the Business firm of Chanel launched Cristalle eau de toilette, which was designed when Coco Chanel was alive. 1978 saw the launch of the get-go non-couture, prêt-à-porter line and worldwide distribution of accessories.
Alain Wertheimer, son of Jacques Wertheimer, causeless control of Chanel S.A. in 1974.[4] [10] In the U.South., No. v de Chanel was not selling well.[10] Alain revamped Chanel No.5 sales by reducing the number of outlets carrying the fragrance from xviii,000 to 12,000. He removed the perfume from drugstore shelves and invested millions of dollars in advertisement for Chanel cosmetics. This ensured a greater sense of scarcity and exclusivity for No.v, and sales rocketed back up every bit demand for the fragrance increased.[ten] He used famous people to endorse the perfume – from Marilyn Monroe to Audrey Tautou. Looking for a designer who could bring the label to new heights, he persuaded Karl Lagerfeld to end his contract with fashion firm Chloé.
The post-Coco era [edit]
[ when? ]
In 1981, Chanel launched Antaeus, an eau de toilette for men. In 1983 Karl Lagerfeld took over equally chief designer for Chanel. Similar Chanel, he looked into the past as inspiration for his designs. He incorporated the Chanel fabrics and detailing such as tweed, gilt accents, and bondage. Lagerfeld kept what was signature for Chanel just likewise helped bring the make into today. In later collections Lagerfeld chose to break away from the ladylike await of Chanel and began to experiment with fabrics and styles. During the 1980s, more twoscore Chanel boutiques opened worldwide. By the end of the 1980s, the boutiques sold goods ranging from The states$200-per-ounce perfume, Usa$225 ballerina slippers to The states$11,000 dresses and US$2,000 leather handbags. Chanel cosmetics and fragrances were distributed but past Chanel outlets. Chanel marketer Jean Hoehn explained the business firm's approach, saying, "We innovate a new fragrance every 10 years, not every three minutes like many competitors. We don't confuse the consumer. With Chanel, people know what to await. And they go along coming back to us, at all ages, as they enter and get out the market." The 1984 launch of a new fragrance, in honor of the founder, Coco, continued the label's success. In 1986, the Firm of Chanel struck a deal with watchmakers and in 1987, the commencement Chanel picket debuted. By the end of the decade, Alain moved the offices to New York City.[10]
Maison de Chanel increased the Wertheimer family fortune to U.s.a.$5 billion. Sales were injure by the recession of the early 1990s, only Chanel recovered by the mid-1990s with further boutique expansion.[ten]
In 1994, Chanel had a net turn a profit equivalent to €67 one thousand thousand on the auction of €570 million in fix-to-habiliment clothes and was the most assisting French mode house.[17]
In 1996, Chanel bought gun-makers Holland & Holland, merely failed in its attempt to revamp the business firm.[10] The swimwear characterization Eres was also purchased in 1996.[xviii] Chanel launched the perfumes Allure in 1996 and Allure Homme in 1998. The Business firm of Chanel launched its outset peel care line, Précision, in 1999. That same twelvemonth, Chanel launched a travel collection, and nether a license contract with Luxottica, introduced a line of sunglasses and eyeglass frames.
While Wertheimer remained chairman, Françoise Montenay became CEO and President. 2000 saw the launch of the first unisex watch by Chanel, the J12. In 2001, watchmaker Bell & Ross was acquired. The same year, Chanel boutiques offering only selections of accessories were opened in the United States. Chanel launched a small selection of menswear as a office of their runway shows.
In 2002, Chanel launched the Gamble perfume and Paraffection, a subsidiary company originally established in 1997[19] to support artisanal manufacturing, that gathered together Ateliers d'Art or workshops including Desrues for ornament and buttons, Lemarié for feathers, Lesage for embroidery, Massaro for shoemaking and Michel for millinery. A prêt-à-porter collection was designed by Karl Lagerfeld.
In July 2002, a jewelry and watch outlet opened on Madison Avenue. Within months, a 1,000-square-human foot (90 m2) shoe/purse boutique opened adjacent door. Chanel continued to aggrandize in the United States and by December 2002, operated 25 U.S. boutiques.[10]
Chanel introduced Coco Mademoiselle and an "In-Betwixt Article of clothing" in 2003, targeting younger women, opened a second store on Rue Cambon, opened a 2,400 foursquare feet (220 m2) bazaar in Central, Hong Kong, and paid near US$50 one thousand thousand for a edifice in Ginza, Tokyo.
In 2007, Maureen Chiquet was appointed CEO. She remained CEO until her termination in 2016.[twenty]
In 2018, Chanel announced relocation of its global headquarters to London.[21] [22] [23] In December of the same year, Chanel announced that it would ban fur and exotic skins from its collections.[24]
In February 2019, Lagerfeld died at historic period 85.[25] Virginie Viard, who had worked with Lagerfeld at the fashion business firm for over thirty years, was named the new Creative Director.[26]
In Dec 2021, Leena Nair was appointed Global Chief Executive Officer. [27]
Corporate identity [edit]
Logotype [edit]
The Chanel logotype comprises two interlocked, opposed messages-C, 1 faced left, ane faced right. The logotype was given to Chanel by the Château de Crémat, Overnice, and was non registered as a trademark until the first Chanel shops were established.[28] [29] The logo is ordinarily known to stand up for "Coco Chanel" and has get 1 of the most recognizable logos in the globe. It has also become the symbol of prestige, luxury, and course. [30]
Charity [edit]
In 2022, Chanel donated €ii mln towards Care and UNHCR, the money will go to Ukraine to help it during the Russian invasion.[31]
Combatting counterfeits [edit]
Along with other makers, Chanel is a target of counterfeiters.[32] An authentic archetype Chanel bag retails from around U.s.$iv,150, while a counterfeit unremarkably costs around The states$200. Starting time in the 1990s, all authentic Chanel handbags were numbered.
In 2018 Chanel filed suit in the Federal District Courtroom of the Southern District of New York, alleging The RealReal for hosted apocryphal (simulated) Chanel on their website and mislead customers that a affiliation existed between the ii.[33] [34]
Due to the high volume of Chanel counterfeits, Legal at Chanel take prepare a website to brainwash consumers on "Spotting Fake vs Accurate CHANEL Products."[35] And besides, many fashion bloggers[36] [37] are spreading awareness about identifying fake luxury items such equally Chanel'southward products.[38]
Label [edit]
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Logo - the House of Chanel is represented by ii interlocked letters "C" for "Coco Chanel".This was first introduced in the late 1980s or early 1990s.
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Perfume label trademark: the "No. five de Chanel" trademark and font were introduced in 1926.
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Couture trademark: the minor caps name and font were introduced in 1924.
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Design and logo used on some Chanel products
Trademarks [edit]
One timeline measurement for Chanel presence in the United States is via trademarks registered with the The states Patent and Trademark Office (USPTO). On Tuesday, eighteen November 1924, Chanel, Inc. filed trademark applications for the typeset mark Chanel and for the interlocking CC design plus word marking. At that time, the trademarks were registered but for the perfume, toiletry, and cosmetic products in the primary form of mutual metals and their alloys. Chanel provided the clarification of face up powder, perfume, Eau de Cologne, toilet water, lip stick, and rouge, to the USPTO.[39] The Chanel and double-C trademarks were awarded on the same date of 24 February 1925 with respective Series Numbers of 71205468 and 71205469. The kickoff trademark application for the No. v perfume was on Thursday, 1 April 1926, described as perfume and toilet water. Starting time use and commercial use was stated as 1 Jan 1921. Registration was granted on 20 July 1926 with Series Number 71229497.
Products [edit]
Manner Collections & Track Shows [edit]
Designer | Season | City | Locale | Presentation date | Line | Theme | For auction |
---|---|---|---|---|---|---|---|
Karl Lagerfeld | Fall–Winter 2010 | Paris | Grand Palais | 6 July 2010 | Haute couture | A lion | On order |
Spring–Summertime 2011 | five October 2010 | Gear up-to-wear | An orchestra | March 2011 | |||
Paris–Byzance | 31 rue Cambon | seven December 2010 | A Byzantine palace | May 2011 | |||
Bound–Summer 2011 | Pavillon Cambon–Capucines | 25 January 2011 | Haute couture | Ballet[40] [41] | On social club | ||
Autumn–Winter 2011 | Grand Palais | 8 March 2011 | Ready-to-wear | A frozen garden | September 2011 | ||
Cruise 2011 | Antibes | Hôtel du Cap | v May 2011 | Cruise collection | Outdoors | November 2011 | |
Autumn–Wintertime 2011 | Paris | Grand Palais | 5 July 2011 | Haute couture | Night-time Place Vendôme[42] [43] | On lodge | |
Bound–summer 2012 | 4 Oct 2011 | Ready-to-article of clothing | Under the Sea and Florence | March 2012 | |||
Paris–Bombay | 6 December 2011 | An Indian palace[44] | May 2012 | ||||
Spring–Summertime 2012 | 24 January 2012 | Haute couture | An aeroplane in flying[45] | On guild | |||
Fall–Winter 2012–2013 | 6 March 2012 | Set up-to-wear | Quartz World | September 2012 | |||
Prowl 2013 | Versailles | Palace of Versailles | 13 May 2012 | Cruise collection | Gardens of Versailles | Nov 2012 | |
Fall–Winter 2012 | Paris | Thou Palais | three July 2012 | Haute couture | New Vintage | On order | |
Leap–Summer 2013 | 2 October 2012 | Ready-to-wear | New energy | March 2013 | |||
Paris-Edinburgh | Linlithgow | Linlithgow Palace | 4 Dec 2012 | Ready-to-wear | Barbarian romance | May 2013 | |
Spring–Summer 2013 | Paris | Grand Palais | 22 Jan 2013 | Haute couture | The Forest | On club | |
Fall-Winter 2013–2014 | v March 2013 | Prepare-to-wear | Around the world | September 2013 | |||
Cruise 2014 | Singapore | Dempsey Loma Ground forces Barracks | 9 May 2013 | Cruise collection | Holiday | November 2013 | |
Autumn-Winter 2013–2014 | Paris | Grand Palais | ii July 2013 | Haute couture | The hereafter[46] | On order | |
Spring-Summertime 2014 | i October 2013 | Set-to-wearable | Fine art | March 2014 | |||
Métiers d'fine art Paris-Dallas 2013–2014 | Dallas | Off-white Park | 11 December 2013 | Fix-to-article of clothing | Texas/ Americana | May 2014 | |
Spring-Summer 2014 | Paris | Thou Palais | 21 January 2014 | Haute couture | Sport[47] | On order | |
Autumn-Winter 2014–2015 | iv March 2014 | Ready-to-clothing | The Chanel Shopping Center | September 2014 | |||
Prowl 2015 | Dubai | The World | fourteen May 2014 | Cruise collection | Arabia | November 2014 | |
Fall-Winter 2014–2015 | Paris | Grand Palais | 8 July 2014 | Haute Couture | Pied-à-terre | On guild | |
Spring-Summertime 2015 | xxx September 2014 | Ready-to-wear | Chanel Boulevard | March 2015 | |||
Spring-Summer 2015 | 27 Jan 2015 | Haute Couture | Newspaper Flowers | On society | |||
Fall-Wintertime 2015–2016 | x March 2015 | Ready-to-article of clothing | Brasserie | September 2015 | |||
Cruise 2016 | Seoul | Dongdaemun Pattern Plaza | iv May 2015 | Cruise drove | Thou-popular | November 2015 | |
Fall-Winter 2015–2016 | Paris | Grand Palais | vii July 2015 | Haute Couture | Casino | On order | |
Bound-Summer 2016 | vi October 2015 | Set-to-clothing | Airport | March 2016 | |||
Spring-Summer 2016 | 26 January 2016 | Haute Couture | Zen garden | On order | |||
Autumn-Winter 2016–2017 | viii March 2016 | Ready-to-wear | No prepare | September 2016 | |||
Cruise 2017 | Havana | Paseo del Prado, Havana | 4 May 2016 | Cruise collection | Erstwhile Havana | November 2016 | |
Fall-Winter 2016–2017 | Paris | Grand Palais | 5 July 2016 | Haute Couture | Atelier | On order | |
Leap-Summertime 2017 | 4 October 2016 | Ready-to-wear | Mainframe | March 2017 | |||
Leap-Summer 2017 | 24 January 2017 | Haute Couture | Mirrors | On order | |||
Fall-Wintertime 2017–2018 | 7 March 2017 | Set-to-wearable | Space Exploration | September 2017 | |||
Métiers d'art Paris–Hamburg 2017–2018 | Hamburg | Elbphilharmonie | 6 December 2017 | Ready-to-wear | Sailors Uniforms[48] [49] | May 2018 | |
Spring-Summer 2018 | Paris | K Palais | 23 January 2018 | Haute Couture | French Garden[50] | On gild | |
Prowl 2018 | Paris | 3 May 2018 | Cruise collection | Cruise[51] | On order | ||
Autumn-Winter 2018–2019 | Paris | 3 July 2018 | Haute Couture | Atelier | On order | ||
Spring-Summer 2019 | 3 October 2018 | Gear up-to-article of clothing | Chanel past the Body of water | On order | |||
Métiers d'art Paris–New York 2018–2019 | New York | Metropolitan Museum of Art | half-dozen December 2019 | Prepare-to-article of clothing | Aboriginal Egypt[52] | June 2019 | |
Spring-Summer 2019 | Paris | Grand Palais | 23 January 2019 | Haute Couture | Mirrors | On order | |
Fall-Wintertime 2019–2020 | 6 March 2019 | Fix-to-wear | Chanel in the Snow / Alpine Village | September 2019 | |||
Virginie Viard | Cruise 2019–2020 | Paris | 3 May 2019 | Prowl collection | Railroad train Station | November 2019 | |
Autumn-Winter 2019–2020 | 2 July 2019 | Haute Couture | Coco'due south Library | On gild |
Gallery [edit]
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Chanel classic bag in quilted-leather, with adaptable double-bondage, to wear it on the arm or at the shoulder.
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Chanel handbag with quilted-leather, the Belgian Queen Fabiola, and her husband, King Baudouin, visited the Nixon White Business firm, in 1969.
Fragrance [edit]
In 1924, Pierre Wertheimer founded Parfums Chanel, to produce and sell perfumes and cosmetics; the parfumerie proved to be the most profitable business segmentation of the Chanel S.A. corporation.[10] [53] Since its institution, parfumerie Chanel has employed four perfumers:
- Ernest Beaux (1920–1961)
- Henri Robert (1958–1978)
- Jacques Polge (1978–2015)
- Olivier Polge (2015–Present)
Perfumes [edit]
-
- Attraction EDP
- Allure EDT
- Allure Eau Sensuelle EDP
- Allure Eau Sensuelle EDT
- Take a chance
- Chance
- Chance Eau Vive
- Gamble Eau Fraiche
- Chance Eau Tendre – Jacque Polge developed Chance Eau Tendre to feature floral and fruity and notes, amongst them grapefruit, quince, hyacinth, jasmine, amber, cedar, iris, and white musk.
- Coco
- Coco Mademoiselle – British actress Keira Knightley, spokeswoman for the Coco Mademoiselle fragrance, portrayed young Coco Chanel in a short film advert directed by Joe Wright.
- Coco Noir
- Cristalle
- Cristalle Eau Verte
- No. 5 – No. 5 The Pic, is about Nicole Kidman, with whom an bearding aspiring author (Rodrigo Santoro) becomes enamoured; afterward, a fragrant memory is all he retains of her.[54] In 2008, the French model and extra Audrey Tautou became the face of Perfume No. v. 2012 marked the outset twelvemonth that a human being – actor Brad Pitt – represented a female person fragrance. The bottle'southward stopper, cut like a diamond, is said to take been inspired past the geometry of the Place Vendôme in Paris. In 2021, Chanel celebrates No.5 100th birthday to launch a limited edition packaging in a simple laboratory canteen. "That'southward what Chanel Factory five is all about: offering the experience of luxury in everyday life." [55]
- No. 19
- No. nineteen Poudre
- Les Exclusifs
- No 22
- Gardénia
- Bois des Iles
- Cuir de Russie
- Eau de Cologne
- 31 Rue Cambon
- No. 18
- Coromandel
- Bel Respiro
- 28 La Pausa – Named for La Pausa, Chanel's villa on the French Riviera.[56]
- Sycomore
- Beige
- Jersey
- 1932
- Misia
- Boy
- 1957
- Le Lion de Chanel
Colognes [edit]
-
- Allure pour Homme
- Allure pour Homme Sport
- Allure pour Homme Eau Extreme
- Allure pour Homme Cologne Sport
- Antaeus
- Bleu de Chanel
- Égoïste
- Platinum Égoïste
- Bleu De Chanel Eau de Toilette
- Bleu De Chanel Eau de Parfum
- Bleu De Chanel Parfum
- Pour Monsieur
Makeup and skincare [edit]
Cosmetics are the most attainable Chanel product, with counters in section stores beyond the earth, including Harrods, Galeries Lafayette, Bergdorf Goodman, Hudson'south Bay, and David Jones, Wojooh, John Lewis, Debenhams, Boots equally well as its ain dazzler boutiques.
Products lines - eyelash
– Hydra Beauty
– Le Blanc
– Le Elevator
– Sublimage
– Blue Serum
– La Solution 10 de Chanel
– Vamp Nail Polish
– Due north°one line: skincare and makeup products based on holistic beauty and eco-friendly principles[57]
Fine Jewelry [edit]
Chanel 'High Jewelry' was founded in November 1932. Chanel debuted 'Bijoux de Diamants' at her Faubourg Saint-Honoré, Paris mansion.[58] In 2012, the company created a special collection to celebrate Diamants' 80th anniversary. Current collections include High Jewelry, Camelia, Comete, Coco Crush, Baroque, 1932, Ultra, Conjugal and Jewelry Watches.[59]
Watches [edit]
The Chanel wristwatch division was established in 1987.[lx] In 1995, segmentation presented a 2d blueprint, the Matelassé.[threescore] Although the Première and Matelassé wristwatches were successful products, the presentation, in 2000, of the Chanel J12 line of unisex fashion wristwatches, made of ceramic materials, established Chanel wristwatches as a Chanel marque.[60] The J12 line of wristwatches features models in iv punch-face sizes: 33mm, 38mm, 41mm, and 42mm.[60] [61] In 2008, Chanel S.A. and Audemars Piguet developed the ceramic Chanel AP-3125 clockwork, exclusive to the House of Chanel.[62]
Wine [edit]
Chanel owns the wineries Château Rauzan-Ségla, Château Canon, St. Supéry Estate Vineyards & Winery, and Domaine de i'lle located on the island of Porquerolles in the Cotes de Provence AOP.
Stores [edit]
Worldwide, Chanel South.A. operates around 310 Chanel boutiques; 94 in Asia, seventy in Europe, 10 in the Heart E, 128 in Due north America, i in Central America, 2 in South America, and 6 in Oceania. The shops are located in wealthy communities, usually in department stores like Harrods and Selfridges, Bergdorf Goodman, Neiman Marcus and Saks Fifth Avenue, high streets, shopping districts, and within airports.[10] In 2015, the company paid a record $152 million for 400 North Rodeo Drive in Beverly Hills. This is the virtually expensive corporeality paid for retail space in Los Angeles.[63] In October 2020, the company bought its flagship Bond Street boutique in London for £310 meg.[64] [65]
Gallery [edit]
Chanel models [edit]
Notable Chanel models and ambassadors Model | Nationality |
---|---|
Sigrid Agren | French |
Adesuwa Aighewi | American |
Adut Akech | Australian |
Mica Argañaraz | Argentine |
Marie-Hélène Arnaud | French |
Bianca Balti | Italian |
Luna Bijl | Dutch |
Lexi Boling | American |
Mariacarla Boscono | Italian |
Naomi Campbell | British |
Vittoria Ceretti | Italian |
Penélope Cruz | Spanish |
Saskia de Brauw | Dutch |
Inès de La Fressange | French |
Cara Delevingne | British |
Lily-Rose Depp |
|
Grace Elizabeth | American |
Freja Beha Erichsen | Danish |
Anna Ewers | German |
Faretta | Croatian |
Selena Forrest | American |
Kristine Froseth |
|
G-Dragon | South Korean |
Nana Komatsu | Japanese |
Kaia Gerber | American |
Baptiste Giabiconi | French |
Amanda Googe | American |
Mathilde Henning | Danish |
Camille Hurel | French |
Marjan Jonkman | Dutch |
HoYeon Jung | South Korean |
Jennie Kim | South Korean |
Birgit Kos | Dutch |
Brad Kroenig | American |
Rebecca Leigh Longendyke | American |
Angela Lindvall | American |
Nina Marking | Danish |
Catherine McNeil | Australian |
Alexandra Micu | Romanian |
Heidi Mount | American |
Kati Nescher | German |
Felice Nova Noordhoff | Dutch |
Giselle Norman | British |
Soo Joo Park |
|
Sasha Pivovarova | Russian |
Margot Robbie | Australian |
Vivienne Rohner | Swiss |
Rianne Van Rompaey | Dutch |
Anja Rubik | Polish |
Ola Rudnicka | Smooth |
Lia Pavlova | Russian |
Natasha Poly | Russian |
Claudia Schiffer | German |
Hyun Ji Shin | S Korean |
Joan Smalls | Puerto Rican |
Victoria Song | Chinese |
Kristen Stewart | American |
Kasia Struss | Polish |
Fran Summers | British |
Stella Tennant | British |
Mona Tougaard | Danish |
Greta Varlese | Italian |
Sara Grace Wallerstedt | American |
Binx Walton | American |
Gemma Ward | Australian |
Jing Wen | Chinese |
Liu Wen | Chinese |
Yasmin Wijnaldum | Dutch |
Kiki Willems | Dutch |
Pharrell Williams | American |
Tami Williams | Jamaican |
Lindsey Wixson | American |
Zhou Xun | Chinese |
Anok Yai | American |
Chutimon Chuengcharoensukying | Thai |
See also [edit]
- Belle Époque
- Chanel fix-to-wear collection
- Pink Chanel suit of Jacqueline Bouvier Kennedy
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External links [edit]
Wikimedia Commons has media related to Chanel. |
- Official website
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